Crawshaw, A.S. (2022, Forthcoming). “La musique électro-somesthésique : approches spatiales, théorisation et expérimentations créatives.” Dissertation, Université Paris 8, Saint-Denis, France.

Crawshaw, A.S. (2022). “Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information.” Dissertation, UCSB, Santa Barbara, CA.

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Crawshaw, A.S. “Electro-Somaesthetic Music: Spatial Approaches” in Proceedings of the 2020/2021 International Computer Music Conference, Santiago, Chile, 2021, pp. 140–147.

PDF  |  VIDEO ABSTRACT

Crawshaw, A.S. & Novak, M. (2018, Oct. 5–6). Paper/talk: “Bridging the ancient to the digital contemporary through algorithmic intertextuality.” Presented as part of the Distributed Authorship Conference at UCLA, California.

Yan, J., Crawshaw, A.S., Rincon, G.A., Eds. White Noise Media Arts and Technology Program 2016 End of the Year Show (2016) Catalog. Santa Barbara, CA: Media Arts and Technology Program, UCSB, 2016. Print.
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Crawshaw, A.S. “Towards Defining the Potential of Electroacoustic Infrasonic Music,” in Proceedings of the 2014 ICMC- SMC, Athens, Greece, 2014, pp. 269-276.

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Crawshaw, A.S., Lamp, R., & Fdida, N. “Avant-première de ‘La galerie d’ondes,’ une installation sonore et visuelle pour explorer l’intersensorialité des infrasons,” in Actes des Journées d’Informatique Musicale (JIM 2013), Saint-Denis, 2013, pp. 183-186.

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Crawshaw, A.S. (2012). “Le potentiel de la musique infrasonore: avec quelques applications intersensorielles,” Second- year Master’s thesis, Université Paris 8, Saint-Denis, France.

Crawshaw, A.S. (2011). “L’infrason en Art,” First-year Master’s thesis, Université Paris 8, Saint-Denis, France.